

Journal
Notes from the road, the desk, and the margins.
Thanks for coming by. This is my journal, a place where I use filthy language, tear out my hair, the result of which is obvious. It is neither tidy nor meant to be; it is my desk. In these notes, I will talk to myself about anything and everything. No rhyme, no reason. Naturally, the theme will be my writing, what I put into it and what I get out of it. That's it. Full stop
The Blue Bottle
January 16. 2026
Notes about a book I’ve been carrying for ten years
What is this column For?
My target is to get The Blue Bottle published on KDP by May 1st. 2026
This column will be my progress
In a nutshell:
1. Is this the right title?
Why The Blue Bottle? I introduce the Blue Bottle first, and Frank (MC) explains what it contains. The title is vague, I like that. Okay, I'll stick with it. Anything that get's me to the fucking end!
2. Is it too biblical?
I'm thinking this is okay: It doesn't begin this way; only as the story progresses do the biblical references become obvious, as when we discover that Rosie, in times past, was Mary Magdalene. When we reach this point, other characters, too, assume biblical profiles. Lorenzo is Barrabas; Frank is Judas, seeking repentance. So, what am I saying, Harry fucking Hogg? Okay, I don't think it is too biblical, but there has to be sensitivity to people's beliefs as eventually, as we lean toward Mary being the seldom-mentioned wife of Peter.
3. I know in my heart it is a story worth telling.
Indeed, why carry it for ten years, maybe more, as I now recall. How did it become a story in the first place? I think being addicted to Ray Bradbury has something to do with it. I like sc-fi, all that fantasy stuff. I like to think about words, their meaning, and then abusing that meaning so my work is full of ridiculous phrases such as, silence like thunder. I see it in other writers and think, og God, a cliche! Yes, it is a story worth telling, not to teach, oh hell, no, to entertain.
4. I love the characters, especially Rosie and Frank. Lorenzo is a task unto himself. He is cunning, deceitful, without remorse, and exciting. I'm convinced they are right. Rosie is the character I've changed and reintroduced a dozen times. Now as an Irish barmaid working in Dublin, I'm happy.
The story originally featured a character named Judas. Too obvious where that was going, so Judas became Frank. Less obvious in his biblical connection and repentance.
Lorenzo, I cannot write him enough. I've truly overwritten this character and must cut back. As yet, I'm still developing a way to make the reader feel a chill when he appears. This needs work.
5. Continuity is difficult with time change, customs, and creating the mood and cultures of places visited in the quest. This is the beast! Time changes, culture changes, and my fault is giving too much explanation. Let the reader work it out. But no, I have to explain, taking away any enjoyment the reader might get from self-discovery.
6. What is stopping me completing the book? Not difficult at all, if I could rid myself of procrastination. This idea that it can be so much better.
7. Okay, how do we get this done?
Stick this in your noddle and keep going:
Anchor every time shift to one recurring human need
(hunger, fear, love, escape, recognition)
Let customs appear through friction, not description
(something done wrong, misunderstood, resisted)
Mood travels better than facts
A place can be wrong geographically and still feel right emotionally
Keep one sensory constant that follows the quest, a repeated object, the bottle itself
Small notes intended to become something bigger
Antarctica
Today, for reasons I can’t quite name, I found myself wanting to explain Antarctica to you. That presumes, of course, that you have never been. If you have, then you already know why I cannot explain it at all.
How does one describe the unimaginable.
It is a place where I can shout until my lungs burn and the sound will never return to me. No echo. No answer. Just disappearance.
But that is not the real reason.
I remember now. I wanted to tell you about the sunset. It happens half an inch above the ice. A sun without the colours of a rainbow. No red, no gold, nothing familiar. Yet it sinks with a beauty so complete it feels invented. The ice catches fire, briefly, as if the world is remembering something ancient, and then the Atlantic extinguishes it.
Everything stops.
Gone.
And all that remains is me.
Cooking
I bought mince, red peppers, onions, and tomatoes. I set myself the adventure of cooking.
I reasoned that a man who has eaten raw fish while lost on ice should be equal to pasta. Pasta is not hostile terrain. Pasta does not move.
I made something. The something was good. The pasta, however, bonded permanently to the base of the pan. A failure of modern science, clearly. Teflon, my arse.
There was bread. Four days old. Bread forgives much.
I sent the pan back to the manufacturer, who had claimed nothing would stick to it, with a note asking what they thought the problem might be.
Romance
It’s not as though I’ve been in love enough times to speak with authority.
I’ve read the stories. According to Mr Mills and Mr Boon, you kiss on the shore, walk into the sunset, and are never seen again.
I suspect this is poor reporting.
Religion
Dear God,
I’ve never been good at prayers. I was always in trouble at school for praying with my eyes open. I wanted to see who I was talking to.
I want to recommend someone to you for safekeeping. Her name is Lara Lincoln.
I cannot tell you she isn’t trouble. I cannot tell you she isn’t, at times, a monumental pain in the arse. But she has touched people. She has given joy.
She is my true friend.
Please look after her.
Yours sincerely,
Harry Hogg
Writing
The stories I write belong to no one but me. They are not borrowed. They are not borrowed feelings either.
They are my cries, my despairs, my jubilation, my brief triumphs.
I don’t understand why I was chosen to do this, but for God’s sake I’ve tried to bring beauty into the world. I’ve been blessed in a way that isolates me. I don’t relate easily anymore. I am confused most of the time.
My body wants to reach out to people, to say hello, to ask what’s happening, to know everything. Only the love of my children has been worth holding onto without question.
Children
I spent years telling myself my children don’t belong to me. That I was merely charged with raising them, loving them, preparing them for the day they would leave.
I tried to set examples. Integrity. Humility. Direction.
Sometimes I was lazy. You think you have years. You don’t. One day the world takes them and doesn’t ask permission.
I never met all of my children’s expectations. They have met all of mine.
I am very proud of my children.
Polly put the kettle on.
We'll all have tea,
Cancer
Through biofeedback I learned that the body can be spoken to. Quietly. Firmly.
Heart rate. Blood pressure. Breath.
Visual imagery became a tool. I relax. I picture the cancer. I picture it being dismantled. I picture my body recognising the enemy and doing what it was built to do.
I want to be well.
I do not want to die.
I really do not.
This is a mindset.
I am winning.
I will not be beaten.
On Being Lost
I want to say so much to you, but what’s the rush.
I’ll come to you. I’ll be with you. I’ll share myself. I’ll be your friend. I’ll love you as best I can.
In return, I ask that you care for me. Care for our friendship. Care for my privacy.
We know each other well enough not to be afraid. I will look after your emotions. I will be fair with them.
Let’s start there.
Nature
“Would anybody call you beautiful now?” I asked a dead jellyfish washed up on the beach this morning.
I knelt beside it. The colours were muted, colours a colour-blind man might see. Mauves, perhaps. Violets. Domed patterns.
It was quite dead.
It was quite beautiful.
Later, I saw children poking it with a stick.
Sometimes the way we learn things feels unnecessarily cruel.
Success Before Growing Up
Did I understand silence before I understood the shore. Before sand. Before two people in love who did not need to speak.
I think I did.
A life lived in fear of rejection. An unnamed hurt. A feeling that refuses translation.
I was a boy on the shore. The wind, the waves, the tide took me in and made me whole. I hid in words. Petticoat words. Invented seas.
Writing in my room. Afraid to show anyone.
Just a boy with the unreasonable dream of being something to everyone.
Success After Growing Up
Do you know what remains?
Fear.
After everything. After the journeys. After moments that felt like perfection. After the moving and the arriving.
I have arrived at a place where fear lives quietly and waits.
And that, too, must be written down.